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summer 2003 workshop
Rob Mullins Jazz Piano Workshop
Sponsored by The University of Utah
Read a review of the workshop by an attendee. click the picture of her letter on the left
In this picture, I am working with a singer and showing the attendees how different chord voicings support the vocalist style. | We tried various voicings with great results. | I really enjoy having different students come up and play so I can help them determine the strengths and weaknesses in their playing. |
I get animated demostrating how playing your music can be when you are doing it like a pro. |
Another attendee joins me onstage. | "The best voicings in the world don't sound right unless you execute the rhythm correctly." | The students had me laughing during the class. I always present my material with a sense of humor. These people were a lot of fun. | Here a girl I called "Brown Shirt" during the workshop plays her first great sounding jazz chords on the piano to applause from the other workshop participants. |
Before I wrote this book, I looked at all the material out there.
I
checked out the John Mehegan Books, Mark Levine's Jazz Piano Book, John
Novello's book, and they were all great books, but I felt that a
student would have to slug through weeks and weeks of study and lessons
to grasp the chord material
correctly. My student Tom Heller agreed. I put in this book the
teaching
material that only my private students get and, IT WORKS!. It is also
very
fast!
You can be playing great sounding chords in just a few minutes with
this
book. Click on the book cover to read more about it.
Special thanks go to the Salt Lake City Intertnational Jazz Festival
and
University of Utah for this great music education experience we had. I
am
looking forward to
more teaching opportunities and would love to come to your city and
college
to share my knowledge.
Send email with questions
and
comments or to book a workshop for your college or music store.
PHOTO CREDITS ON THIS PAGE GO TO
Matthew Loel T. Hepworth
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